"...the stark, almost modern set of vertical planks is enhanced by Charlie Morrison's dark lighting for the scenes set in Venice and sunny yellows for those in Cyprus."
- Washingtonian Magazine
“Charlie Morrison illuminates them and the players they frame with Dürer’s sense of what contrasting lights and darks can do.”
- Washington City Paper
"Charlie Morrison's lighting is memorable for its spot lit murder bed and the fine use of candles, lamps, and torches for night scenes."
- Potomac Stages
“Lighting designer Charlie Morrison uses tightly focused spotlights to keep the emphasis on the performer’s facial expressions.”
- Talkin’ Broadway
"The work of the cast is enhanced by compelling technical design from James Noone (set), Jess Goldstein (costumes), Charlie Morrison (lighting), and Martin Desjardings (sound)."
- Washington Theatre Review